Peter Cole

Teju Cole, born in 1975, is a Nigerian American writer, photographer, and art historian. He has authored a novella, multiple novels, an essay collection, and photobooks. His literary work has been recognized for its originality and has been described as forging a new direction in African literature. Cole's background includes returning to Nigeria with his mother shortly after birth and later moving to the United States for his education, where he pursued studies in art history before earning a doctorate from Columbia University. He currently holds a professorship at Harvard University and resides in Cambridge, Massachusetts.

Cole's writing career includes notable works such as the novella 'Every Day Is for the Thief,' which explores themes of corruption and societal dynamics in Lagos, and the novel 'Open City,' a critically acclaimed work praised for its introspective narrative and philosophical discussions. His essay collection, 'Known and Strange Things,' delves into various subjects, including his keen interest in photography. Beyond his literary contributions, Cole is also recognized for his photography, with exhibitions and published photobooks. He has been a significant voice in journalism and social commentary, contributing to major publications and coining the term 'White Savior Industrial Complex.'

Teju Cole's literary output includes the novella 'Every Day Is for the Thief,' a narrative that delves into the experience of returning to Nigeria after a long absence, examining the pervasive nature of corruption. His novel 'Open City' garnered significant critical attention, lauded for its introspective protagonist, Julius, a Nigerian immigrant in New York City. The novel weaves together observations of urban life, personal history, and philosophical dialogues, exploring themes of identity and displacement. Critics have highlighted its originality and intellectual depth, with publications like The New Yorker and The New York Times praising its subtle and honest portrayal of experience. Cole's essays, collected in 'Known and Strange Things,' further showcase his analytical and appreciative approach to various subjects, particularly visual arts.

Cole's academic background in art history informs his creative work, particularly his engagement with photography. His photobook 'Punto d'Ombra' (published in English as 'Blind Spot') and the installation 'Black Paper' demonstrate a fusion of visual art and text. His photography has been exhibited in solo shows, and his writings often reflect a deep appreciation for visual culture, as noted in reviews of his essay collection. This interdisciplinary approach allows him to explore themes of perception, representation, and the intersection of image and narrative, contributing a unique perspective to both his writing and his visual art.

As a regular contributor to prominent publications such as The New York Times and The New Yorker, Cole engages with contemporary issues through his journalism and essays. He is credited with coining the term 'White Savior Industrial Complex,' a concept he explored in relation to humanitarianism and its representation. Cole has also been a vocal participant in cultural discourse, notably protesting the PEN American Center's gala honoring Charlie Hebdo, citing concerns about racism and Islamophobia. His contributions often stimulate debate and offer critical perspectives on social and political matters, reflecting a commitment to nuanced analysis and public dialogue.

“among the most gifted writers of his generation”

“opened a new path in African literature”

“an essential and scintillating journey”

“his voracious appetite for and love of the visual”

“All he sees is need, and he sees no need to reason out the need for the need.”