Hiquet
Hiquet refers to the frog-goddess, a symbol of immortality and the primordial water principle. Early Christians adopted this imagery for baptismal fonts and lamps, associating the frog with spiritual rebirth and eternal life.
Where the word comes from
The term "Hiquet" is not readily traceable to a specific ancient language or tradition in standard etymological dictionaries. Its appearance in Blavatsky's glossary suggests a potential esoteric or neologistic coinage, possibly derived from symbolic associations rather than direct linguistic roots.
In depth
The frog-goddess; one of tile symi)ois of immortality and of the "water" principle. Tiie early Cliristians had their church lamps made in tiie form of a frog, to denote tiiat baptism in water li'd to immortality. Hiram Abiff. A i)il)iical personage; a skilful imilder and a "Widow's Son", wiiom King Solomon procured from Tyre, for the purpose of superintending the works of tiie Temple, and who became 132 TIIEf>«nPHI(\\L later a tnasuiiic cliariH-tir. tlic hern on wlioin hanj^'s all tin* drama, or rathor play, of the Masonic Third Initiation. The Kabbala makes a {^rrat deal of Hiram Abiflf. Hiranya tSli.i. Radiant, trulden. used nf tin"K^:;: of JirahnuV.
How different paths see it
What it means today
The inclusion of "Hiquet" in Blavatsky's lexicon, though etymologically elusive, functions as a potent symbolic anchor. It draws our attention to a creature often overlooked, the frog, and imbues it with profound cosmic significance. Mircea Eliade, in his extensive work on myth and ritual, frequently highlighted the symbolic power of amphibians, linking them to chthonic forces, fertility, and the transition between worlds—the watery abyss and the terrestrial realm. The frog, emerging from the mud and water, embodies a primal generative force, a constant rebirth.
The association with immortality is particularly striking. For early Christians, the frog adorning baptismal fonts or church lamps was a deliberate visual catechism. Water, the medium of baptism, was not merely cleansing but a symbolic immersion into the death and resurrection of Christ, a passage from the mortal coil to eternal life. This resonates with the alchemical idea of the "aqua vitae," the water of life, a transformative elixir. The frog, as a creature intrinsically bound to water, becomes a tangible emblem of this profound mystery.
The "water principle" mentioned by Blavatsky speaks to a deeper, more archaic understanding of cosmology. Before the emergence of distinct forms, there was the undifferentiated, fluid potentiality of the cosmic ocean. The frog, dwelling within this primordial soup, represents the first stirrings of life, the initial manifestation of consciousness within the boundless. This echoes Carl Jung's exploration of the collective unconscious, where primordial images and archetypes reside, waiting to be brought forth into conscious awareness, much like the frog emerges from its watery environment.
To contemplate Hiquet is to consider the cyclical nature of existence, the constant renewal that underlies the apparent permanence of things. It is an invitation to see the sacred in the seemingly mundane, to recognize the profound symbolism embedded in the natural world, and to understand spiritual rebirth not as a singular event but as a continuous, fluid process of becoming. The frog, in its humble amphibious existence, becomes a profound teacher of transformation and enduring life.
RELATED_TERMS: Primordial waters, Resurrection, Baptism, Immortality, Symbolism, Archetype, Regeneration
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