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Hermetic Tradition

De Daemonialitate et Incubis et Succubis

Concept Hermetic

A 17th-century Latin treatise by Ludovico Maria Sinistrari exploring demoniality, the sexual congress between humans and supernatural beings like incubi (male demons) and succubi (female demons). It delves into theological and philosophical arguments surrounding these entities and their perceived influence on human life.

Where the word comes from

The term is Latin. "De Daemonialitate" translates to "On Daemoniality," referring to the state or quality of being a daemon or having intercourse with one. "Incubis" and "Succubis" are derived from the Latin "incubo" (one who lies upon) and "succuba" (one who lies beneath), referring to specific classes of sex-demons.

In depth

De Daemonialitate et Incubis et Succubis is a seventeen-century manuscript treatise by Italian Fransican Ludovico Maria Sinistrari. The text, composed in Latin, is largely concerned with the sin of demoniality and demonology.

How different paths see it

Hermetic
While not a direct Hermetic text, the treatise engages with concepts of spiritual intermediaries and entities that can interact with the material plane, a theme echoed in Hermeticism's exploration of daemons and divine messengers.
Christian Mystic
The treatise directly engages with Christian demonology and theological debates concerning the nature of angels, demons, and their interactions with humanity, a persistent undercurrent in Christian mystical thought.

What it means today

Ludovico Maria Sinistrari's "De Daemonialitate et Incubis et Succubis" emerges from a historical moment steeped in both fervent faith and a deep-seated anxiety about unseen forces. It is not merely a catalog of spectral liaisons but a profound testament to the human mind's struggle to reconcile the inexplicable with established doctrines. The very act of meticulously cataloging, defining, and theorizing about incubi and succubi suggests a powerful impulse to impose order upon the chaotic and the feared.

Mircea Eliade, in his seminal works on religion, often points to the human need to establish boundaries between the sacred and the profane, the intelligible and the unintelligible. Sinistrari's work, though appearing to delve into the profane, can be seen as an attempt to re-sacralize the inexplicable by framing it within a divine, albeit terrifying, order. The detailed descriptions of these entities, their origins, and their effects resonate with the archetypal imagery of the shadow self and the repressed desires that Carl Jung so brilliantly illuminated. These spectral lovers, born from theological speculation, can be understood as projections of humanity's own internal conflicts and desires, given form and agency.

The treatise, therefore, offers a window not just into demonology but into the psychological and spiritual landscape of its time. It reminds us that the "other" is often a mirror, reflecting back our own deepest fears and most elusive longings. The detailed examination of these entities, their methods, and their supposed impact on individuals speaks to a persistent human quest to understand the forces that shape our lives, even when those forces appear to originate from beyond the veil of ordinary perception. In its earnest, if unsettling, pursuit of knowledge, the text inadvertently illuminates the enduring human desire to make sense of the world, whether through divine revelation or through the systematic study of its most shadowy inhabitants.

Related esoteric terms

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